I recently met the late Srinivasa Ramanujan in a magnificent
biography by Robert Kanigel which I reviewed on my blog site. I bring him back
up in this blog because Ramanujan taught me something of value. Even though his
area of creativity was mathematics, I saw its application to those of us who
are writers, for in a sense, art is art. And when a person delves into the
mysteries of pure mathematics, they indeed are involved in a creative process
not unlike someone who faces the blank page or empty dance floor or musical
score without notes. How these thoughts came together was when I was reading an
article in Writers Ask a quarterly publication by GlimmerTrain. The article
was a compilation of interviews from a large sampling of writers, seeking their
thoughts on research they do to write their novels. The line that caught my
attention was this:
“…Then when I’m sure
about the structure of my story, I almost always go back and review a few of [Raymond]
Carver’s endings to make sure I haven’t overdone it.”
I love Raymond Carver as a poet, essayist and short story
writer. He was a most talented man. Interestingly, like Ramanujan, Carver had
little education were he to be compared to the writers in the interview. I
remember reading somewhere about the moment he saw his first magazine and
realized there were such things, so humble were his beginnings. His greatness
came from a combination of a life lived hard yet honestly and his fierce
determination to get his view of the world onto paper. He had influence along the
way in the form of his editor, so much influence that he eventually had to break
off the relationship. His integrity required of him that he find his own way.
So it was with Ramanujan when he wrote in his reference letter while seeking a
position that would compensate him for doing his work:
“I have not trodden
through the conventional regular course which is followed in a university
course, but I am striking out a new path for myself.”
There is a reason for this parallel thinking and that is
because true
creativity is wholly the creator’s work. Yes, we have mentors, but
we must seek them not for how they do things but how we respond to what they
are doing. Then it is ours to discover how we can get a similar response from
our readers. There is a fine line between mimicry and creativity. The mockingbird
can’t be faulted for his amazing reproduction of the sounds around him, but he
will never trump the warbler for sheer ethereal songs. As artists, we must be
ever so encouraged to find out what it is within us that we are driven to share
and be equally driven to have it be our unique contribution, one that spills
out of our own life through our own exclusive means of expression.
I can’t ever imagine ending one of my short stories like
Carver did for I don’t see or feel the world as he did. His way often amazes me
and makes me shiver with the power of its effect, but it is not how the world
appears to me. I must find an equally powerful and effective way, but it must
be mine. For in writing we need not only tell the truth but also be the truth,
for that is what gives fiction its sense of reality.
Author Kanigel gives us one further bit of realism where
creation is concerned. When he observed the life of Ramanujan, the greatest
mathematician since Newton, Kanigel confirmed this:
“His success did not
come entirely through flashes of inspiration. It was hard work. It was full of
false starts. It took time.”
But what is possible through creativity is genius, and the
beauty and awe that result from that cannot be compared to work that mimics the art of another.